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Cover
Album Information
Album Lion In Winter, The
Artist
Year 1968
Genre Soundtrack
Rating
ASIN B00005NZLT
Buy Amazon US Amazon UK Amazon DE Amazon FR Amazon CA Amazon JP
Contributor BhelPuri
Actions
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Request # Track Listing Length Played
01The Lion In Winter
John Barry
2:25137
02Allons Gai Gai Gai
John Barry
1:3811
03Richard's Joust / Geoffrey's Battle
John Barry
1:189
04Chinon / Eleanor's Arrival
John Barry
3:3645
05Fanfare For Philip / The Great Hall Feast
John Barry
1:2113
06The Herb Garden
John Barry
4:1120
07To The Chapel
John Barry
1:4510
08Eya, Eya, Nova Gaudia
John Barry
2:1411
09How Beautiful You Made Me
John Barry
2:5911
10God Damn You
John Barry
4:2721
11The Christmas Wine
John Barry
2:3816
12To Rome
John Barry
4:2623
13Media Vita In Morte Sumus
John Barry
2:0210
14We're All Jungle Creatures
John Barry
2:4820
15Mary, Queen Of Scots
John Barry
2:3037
16Elizabeth's Ride
John Barry
1:249
17Vivre Et Mourir
John Barry
2:118
18But Not Through My Realm
John Barry
4:4619
19Mary And Darnley
John Barry
1:469
20This Was Mary
John Barry
3:2563
Listener Rating

40 listener votes for this album.

A review by James Southall found on movie-wave.net
By: Angel
Date: 4 Jul 2010
Rating:
Barry had never written anything like this before - the combination of Gregorian plainsong and his striking, brassy orchestral music (with more than a hint of jazz about it in the rhythms) is tremendously striking. The portentous opening heraldic blast of the trumpets sets the dramatic tone straight away - there is not a literal war in the film, but the war of words is almost as bloody in its way; Barry leaves the viewer in no doubt as to the strained conflict to come. The Latin plainsong accompanying the piece makes it one of the most powerful main title themes I can remember; pure brilliance.

What follows is every bit as good. The choral harmonies of the a capella "Allons Gai Gai Gai" stunningly beautiful; and speaking of beautiful, it doesn't get much better than "Eleanor's Arrival", even when put up against the body of work of a film composer who has written more gorgeous, lyrical themes than most others combined. Barry has not worked with a choir often, but the effect he is able to generate here is spellbinding. There's a real ethereal quality to some of this music - thoughtful, reflective - "The Herb Garden" in particular is outstanding in that respect.

Of course, a film like this is not going to have a score which is all sweetness and light - and the dramatic potency of some of the pieces is particularly stirring. It's all in the brass - so powerful - nobody could listen to "To the Chapel" and not feel themselves sitting up straight. "God Damn You" is in the same vein; "To Rome" is startlingly similar to the "Map Room" sequence years later in John Williams's Raiders of the Lost Ark, and is also startlingly good; but best of all is "Media Vita In Morte Sumus", featuring probably the most frenzied music of Barry's career, with choir and brass ending the piece in a tumultuous battle.

My favourite track, though, is the conclusion - "We're All Jungle Creatures" - with a stirring arrangement of the main theme bringing the score to a powerful climax. It's classic film music and deserves a place in anyone's collection. The original recording was released on CD first by Varese Sarabande and then by Sony; but my preferred recording is this one on Silva Screen, conducted by Nic Raine, which is surprisingly faithful (given the slightly eclectic nature of the music) and benefits from the improved sonics. It also features a suite from another classic Barry score - Mary, Queen of Scots. I couldn't recommend it more highly.



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