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StreamingSoundtracks.com - Robotech (20th Anniversary Edition) - Ulpio Minucci & Arlon Ober, Joanne Harris, Three Dog Night, Michael Bradley & Joanne Harris, Gigi Agrama, Sunny Hilden, Michael Bradley
| Album Information |
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Album
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Robotech (20th Anniversary Edition) |
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Artist
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Ulpio Minucci & Arlon Ober, Joanne Harris, Three Dog Night, Michael Bradley & Joanne Harris, Gigi Agrama, Sunny Hilden, Michael Bradley |
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Year
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2005 |
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Genre
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Anime |
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Rating
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 |
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Contributor
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Obi-son |
Hint: Hover over buttons and album/artist name next to the cover for more info.
| Reviewers Rating |
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1 review done for this album. |
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| sorry, here's my re-edited Review for Robotech 20th Anniversary |
| By: |
Last_Starfighter |
| Date: |
12 Aug 2011 |
| Rating: |
 |
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Even if you've never seen this epic anime series, it's still quite an enjoyable soundtrack. What was so groundbreaking about Robotech was that it was such a mature show for a Saturday morning cartoon. It had a HUGE part in introducing anime to those of us outside of Japan.
It had glorious space battles (track 29 – Rick Hunter’s Theme), fantastic looking robots (track 1 – Main Title), military plotlines (track 14 – Victory), and even a romantic love triangle (track 11 - Love Themes)! Now imagine having to score 85 episodes without getting too much repetition. This is where Robotech succeeds, there's such a great variation of themes.
Track 21-27 were not part of the original TV series run but were in fact for Robotech 2: The Sentinels. This was a continuation of the Macross story arc where Rick and crew search out the Robotech Masters in the SDF-3. It was only a 75 minute short series.
I give this collection 4/5 stars. It lost 1 star for not having 3 important song tracks by Reba West (singing voice of Minmei). They are: My Time To Be A Star, To Be In Love, and We Will Win. Just a minor blemish on an otherwise solid soundtrack with such consistently strong tracks.
Here is a quote by Tom Bateman, one of the persons responsible for the re-mastering of these tracks:
"Robotech's soundtrack score is one of those film scores that isn't forced to hide behind the characters or languish as mere background noise. Its bold and energetic notes draw the viewer into the spectacle of the series and are essential in setting the tone for the story being told."
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